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Below are additional photos pertaining to those on Page 1. |
Larger images of Bob |
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You can CLICK HERE to preview and/or purchase BRIDGING TIME on-line |
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Carved from a beautiful piece of translucent Chinese soapstone, the translucency is very nice, but there are areas that are opaque. The back of the piece is smooth and polished. The owl is 7.75" high x 6.5" wide and the depth varies up to 3". It is mounted on a dark-stained oak base with feet. The base is 8" long x 4.5" deep " x 1.75" high. and on Artists for Conservation |
I thought I would try to carve this piece of stone from the opposite end, but the stone said, "Oh, no, no, no! You will carve me this way!" The stone always has its way. And as it turned out, the owl does look like it has been interrupted. This is another heavy piece and, as you might know, I do most of my carving in my lap. Although impurities in the stone forced me to change direction a number of times, it still kept its original configuration and, I think, turned out very well. The entire sculpture is 12" high x 11" wide x 6" deep. |
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A detail shot of the art quilt titled Inside Out by Pat Kroth. It measures 42" x 56" and is two-sided with hand-dyed cotton batting and machine-stitched surface of fibers, threads, and miscellaneous fragments |
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Here is another example of the many colors and designs of stoneware dinnerware available from Jessie Schroeder Voss. |
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Of the Oneida Nation, Dawn's work brings Native American themes and symbolism into her watercolors and, now, a Pendleton baby blanket. |
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Larger images of Tundra Swan and Cruising the Breaks, by Gene Reineking of Almond, Wisconsin. |
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A larger image of the photograph, The End, by Mike Bailey. The photo was taken in the UW Arboretum in Madison, Wisconsin last November and appeared in the November issue of Madison Magazine in conjunction with an article on the Arboretum. |
Midnight Mouser, one of the soapstone owls by Clarence P. Cameron that is included in the new book, Illustrated Owls; Barn, Barred and Great Horned by Denny Rogers.
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A larger image of Kathryn Dynes Klemp's oil painting of pelicans in flight titled Migration. It is on display in the lobby of Lowell Hall—the university’s convention hall and hotel. |
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| A photograph showing some of the glasswork by Bob and Mary Krauski in the chapel at the U.W.-American Family insurance Children's Hospital in Madison, Wisconsin | |
| At left is a watercolor of a Chinese Zodiac animal by Charlotte Fung Miller. This will be interpreted into a wooden puzzle by Judy Peterson for her new book. | |
Kim Russell's gaggle of geese shown hanging in the Spring Green Community Library, where they currently fly above the circulation desk. |
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